ARLES
Cinema Prime Lens
Vista Vision | Full Frame

25mm T1.4 | 35mm T1.4 | 50mm T1.4 | 75mm T1.4 | 100mm T1.4

Specifications

Focal length

12-25mm

14-30mm

20-55mm

50-125mm

Mount

PL/EF

PL/EF

PL/EF

PL/EF

T-Stop

T2.8-22

T2.8-22

T2.8-22

T2.8-22

Image Circle

31.5mmS35

31.5mmS35

31.5mmS35

31.5mmS35

Optical Construction

21 Elements in 15 Groups

21 Elements in 17 Groups

18 Elements in 15 Groups

18 Elements in 13 Groups

Flange Distance

52mmPL/44mmEF

52mmPL/44mmEF

52mmPL/44mmEF

52mmPL/44mmEF

Close Focus(From Sensor Plane

0.4m/1ft4in

0.6m/2ft

0.8m/2ft8in

0.8m/2ft8in

zoom ratio

2.08X

2.14X

2.75X

2.5X

IRIS Control

64.4°

61°

65°

72°

Focus Control

270°

270°

270°

270°

Zoom Control

100°

100°

100°

100°

Front Dia.

95mm/3.74″

95mm/3.74″

95mm/3.74″

95mm/3.74″

Length

150mmPL5.9”

159mm(EF)6.26″

173mmPL6.81”

 181mm(EF)7.13”

164mm(PL)6.46″
171.9mm
EF6.77”

175mm(PL) 6.88″
182.9mm
EF7.20”

IRIS Blades

16

16

16

16

Filter Size

M86*0.75

M86*0.75

M86*0.75

M86*0.75

Gear Pitch

0.8 Mod

0.8 Mod

0.8 Mod

0.8 Mod

Weight

around 1600g

around 1880g

around 1520g

around 1700g

 

T1.4 high speed, exquisite vignetting

The Arles lens delivers abundant light intake even in low-light conditions,
and supports high frame rate shooting without compromising image quality.

The Arles Prime boasts 16 aperture blades, delivering delightful circular and more layered bokeh, separating the subject from the background naturally. (Ensure image quality from infinity to close-up)

Using advanced multi-layer coating technology, the Arles series effectively reduces stray light and ghosting. This ensures stable and controllable flares. Even when shooting directly against the light, the lenses deliver clean and sharp images.

 

Structure design

Length:25/35/50/75/100mm of the same length
Internal structure uses matte treatment: super matte black techniques (sandblasted-anodized), low reflectivity

Weight:Between 1.4kg~1.9kg, allowing for easy integration with gimbals, stabilizers, drones, and Steadicams; opening limitless shooting possibilities.

Size: good size control even at the telephoto focal lengths

Front diameters are all 95mm, which is suitable for industry-standard cine hoods, enhancing on-site efficiency when changing.

 

Optical design

Consistent high resolution: Incorporating two aspherical elements in the 25mm lens, it minimizes coma and astigmatism and corrects wide-angle distortion. The aspherical elements also optimize size and imaging.

Using calibrated multi-layer blue coating technology, the Arles series effectively reduces stray light and ghosting. This ensures stable and controllable flares. Even when shooting directly against the light, the lenses deliver clean and sharp images.
(Low saturation blue coating and low reflections)

The use of fluorite-like low-dispersion materials achieves excellent Chromatic Aberration control.

Uniform and consistent color temperature control: ±100K(neutral color temperature, neither warm nor cool, around 5000K)

 

More Features:

Compatible with large format sensors like Vista Vision.

The same specification of filter screw thread, which can be adapted to the M86 filter system(14mm is not supported).

The same gear pitch and focus distance, enhancing convenience when changing.

Interchangeable PL and EF mounts: wide compatibility with various cine cameras

Compatible with KOOP filter: get a cleaner picture than other filters on the market.

 
Specifications:

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